The Cask of Amontillado




The Cask of Amontillado
A SHORT STORY BY EDGAR ALLAN POE ⠀•⠀ARTWORKS BY HARRY CLARKE
A sequel to No Reply’s The Masque of the Red Death, our Amontillado returns to a familiar author and artist with a livre d’artiste twist. The story is presented as a bottle of amontillado itself, with a clear slipcase and genuine letterpress wine label, containing flowing paste paper with latticework which evokes the brick, mortar, and nitre that Fortunato finds in lieu of what he seeks.
Poe is the quintessential American author. As one scholar put it, “Whether or not America has produced a greater genius than Poe, it would be hard to prove that it has produced one more original.” In Amontillado, he presents once again a story of captivating simplicity — a man bent on vengeance — wrapped in eerie profundity. Fortunato and Montresor, friends, rivals, entomber and entombed, carry the reader through their own descent, down to a final exhortation:
“For the love of God!”
COLOPHON
•⠀The sixteenth imprint of No Reply, 2 0 2 1 .
•⠀Limited to 4 0 0 numbered copies.
•⠀Measuring 6 ¼ by 5 ¼ inches and 2 4 pages.
•⠀Printed letterpress by Phil Abel on his Heidelberg cylinder press.
•⠀Zerkall - bütten mould - made text papers.
•⠀Typeset in 1 2 - point Perpetua.
•⠀Hand-bound in a stiff paste paper wrapper, made at the press specially for the edition.
•⠀Housed in an acrylic slipcase with a wine label.