The Last Question

The Last Question

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A SHORT STORY BY ISAAC ASIMOV⠀•⠀THE WOODCUT PRINTS OF ROCKWELL KENT

When asked for his favorite of his own stories, Isaac Asimov was unequivocal: The Last Question. There's no mistaking why; it boldly fulfills the promise of its title. In a universe which is expanding, cooling, and dissipating, this legendary Science Fiction writer looks into the future to earnestly grapple with the fate of, well, everything. The answer is surprising, fulfilling, even moving. As Asimov said, "The ending seems to stick with people."

To honor Science Fiction's vast sweep into the future, and the grounding of private presswork in our past, we have striven to achieve a design aesthetic which balances past and future. Without sacrificing the finesse of private presswork, we have striven to capture the electric power of the genre. Our experimental typography in this edition features four typefaces, interweaving and overlapping with the stunning woodcuts of Rockwell Kent. Few artists wrestled so poignantly with our place in the universe. We are thrilled to have been given the permission of his estate to print a suite of his masterpieces alongside this story. 

THE SCIENCE FICTION TRILOGY

The Men Return is the third in No Reply's SCIENCE FICTION TRILOGY, three editions showcasing three of the genre's greatest short stories:

•⠀The Last Question by Isaac Asimov, with the woodcuts of Rockwell Kent

•⠀The Ones Who Walk Away From Omelas by Ursula K. Le Guin, with collages by Clive Knights

•⠀The Men Return by Jack Vance, introduced by the author's son and with linocuts by Karol Pomykała

These three stories pushed the frontiers of the genre. They strikingly demonstrate that Science Fiction is not actually the realm of spaceships and aliens, so much as the realm of metaphysics and our place in the universe. No Reply is proud to present them together, alongside an extraordinary cast of contributors.

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COLOPHON

•⠀The nineteenth edition from No Reply, 2 0 2 2 .

•⠀Measuring 6 ½ by 11 inches, 4 2 pages.

•⠀Printed letterpress by Phil Abel on his Heidelberg cylinder press.

•⠀A dozen of Rockwell Kent’s woodblock prints throughout.

•⠀Typeset in 1 2 - point Weiss, interleaved with a novel bitmap typeface.

PAPERBOUND

•⠀Limited to 3 5 0 numbered copies.

•⠀Munken polar text papers.

•⠀Hand-bound in stiff fourfold Mohawk wrappers.

HARDBOUND

•⠀Limited to 3 5 0 numbered copies.

•⠀Zerkall - bütten mould-made text papers. Colorplan endpapers.

•⠀Hand - bound in a three piece Bradel binding using a mirrorfoil tooled cloth spine and monoprint papers, made at the press specially for the edition and each unique, covering the facing boards in a single continuous artwork. Please note: Due to the monoprinting process, covers may (and likely will!) vary significantly from the prototype photos shown.

•⠀Housed in an optional lucite slipcase.